Contents From the Sub-Series:

139 Microcassette interviews. Side A and Side B labels in quotation marks reflect Sumner's original labels. Also included are older audio cassettes (numbers 140-160)

Contents From the Sub-Series:

139 Microcassette interviews. Side A and Side B labels in quotation marks reflect Sumner's original labels. Also included are older audio cassettes (numbers 140-160)

Contents From the Sub-Series:

139 Microcassette interviews. Side A and Side B labels in quotation marks reflect Sumner's original labels. Also included are older audio cassettes (numbers 140-160)

Contents From the Sub-Series:

139 Microcassette interviews. Side A and Side B labels in quotation marks reflect Sumner's original labels. Also included are older audio cassettes (numbers 140-160)

Contents From the Sub-Series:

139 Microcassette interviews. Side A and Side B labels in quotation marks reflect Sumner's original labels. Also included are older audio cassettes (numbers 140-160)

Contents From the Sub-Series:

139 Microcassette interviews. Side A and Side B labels in quotation marks reflect Sumner's original labels. Also included are older audio cassettes (numbers 140-160)

Contents From the Sub-Series:

139 Microcassette interviews. Side A and Side B labels in quotation marks reflect Sumner's original labels. Also included are older audio cassettes (numbers 140-160)

Contents From the Sub-Series:

139 Microcassette interviews. Side A and Side B labels in quotation marks reflect Sumner's original labels. Also included are older audio cassettes (numbers 140-160)

Contents From the Sub-Series:

139 Microcassette interviews. Side A and Side B labels in quotation marks reflect Sumner's original labels. Also included are older audio cassettes (numbers 140-160)

Contents From the Sub-Series:

139 Microcassette interviews. Side A and Side B labels in quotation marks reflect Sumner's original labels. Also included are older audio cassettes (numbers 140-160)

Contents From the Sub-Series:

139 Microcassette interviews. Side A and Side B labels in quotation marks reflect Sumner's original labels. Also included are older audio cassettes (numbers 140-160)

Contents

Glen Alyn; Steve Barthelme; Thomas Hart Benton; Bill Broyles; Jack Canson; Carlos W. Castaneda; Madison Cooper; J. Frank Dobie; Robert Duval; Steve Forbis; Joe Frantz; Larry Goodwyn; John Graves; Jim Hamm; Carl Hertzog; Tony Hillerman

Scope and Contents From the Series: Archival material donated by Rae Lewis relating to the life, writing career, and death of Rolling Stone and Texas Monthly journalist, Grover Lewis’ dating 1962-2015. Materials include extensive notes, research materials, correspondence, publishing contracts and manuscript drafts for Lewis’ unpublished memoir, “Goodbye If You Call That Gone” and unpublished novel, “Code of the West”, the posthumous anthology, Splendor in the Short Grass: The Grover Lewis Reader, drafts of unproduced...

Series Description From the Series: This series is arranged alphabetically according to either title or subject of work. The bulk of this series is comprised of two large, unrealized projects: The Code of the West(a novel)and Goodbye If You Call That Gone (a memoir).Both of these projects reflect immensely important aspects of Lewis’s life. The Code of the West reflects his intense love of the cinema—especially the...

Series Description From the Series:

The series for Plays is the largest of Shepard’s works and includes notes, annotated typescripts, playbills, programs, correspondence, sound recordings, rehearsal schedules, reviews, and publicity. This series is notable in that Shepard meticulously identified each annotated draft with the date and place (by city and state) of each revision, and there tend to be multiple drafts of each work represented.

Series Description From the Series: This series is divided into two subseries. The first, films for which Shepard wrote the screenplay, includes: notes, annotated drafts, dialogue rewrites, publicity, correspondence, contracts, music notes, production notes and schedules. Of the films in this subseries, Silent Tongueincludes the most information (1 linear foot), followed by Far North(.25 linear feet.), Onibaba(.25 linear feet),...

Series Description From the Series: This series is arranged alphabetically by publication and surveys Lewis’s entire writing career from his earliest poetry and short fiction publications in Avesta (1955)—the student literary magazine of North Texas State College—to his last published piece, a profile of well-known photographer Birney Imes, published in the Los Angeles Times Magazine (1994). Material from a posthumous collection of Lewis’s writing,...

Series Description From the Series: This series is arranged alphabetically by publication and surveys Lewis’s entire writing career from his earliest poetry and short fiction publications in Avesta (1955)—the student literary magazine of North Texas State College—to his last published piece, a profile of well-known photographer Birney Imes, published in the Los Angeles Times Magazine (1994). Material from a posthumous collection of Lewis’s writing,...

Series Description From the Series: This series is arranged alphabetically by publication and surveys Lewis’s entire writing career from his earliest poetry and short fiction publications in Avesta (1955)—the student literary magazine of North Texas State College—to his last published piece, a profile of well-known photographer Birney Imes, published in the Los Angeles Times Magazine (1994). Material from a posthumous collection of Lewis’s writing,...

Series Description From the Series: This series is arranged alphabetically by publication and surveys Lewis’s entire writing career from his earliest poetry and short fiction publications in Avesta (1955)—the student literary magazine of North Texas State College—to his last published piece, a profile of well-known photographer Birney Imes, published in the Los Angeles Times Magazine (1994). Material from a posthumous collection of Lewis’s writing,...